In this collection written by sex and intimacy coach Matthew Shur, we retell (and reclaim) popular fairytales through a more-modern queer lens. Filmed at a chateau in France, these scenes are full of hot guys, dramatic cinematography and rich narratives.

Written by Coach Alex Ray, this series celebrates authenticity by reframing and eroticizing our insecurities. This series was filmed in the mountains of eastern Kentucky during a solar eclipse.

Earth. Wind. Water. Fire. These are the elements of our planet, and the elements that run through each of us. In this powerful collection written by Brad Amberheart, we see scenes inspired by each of the elements. Earth grounds us. Wind lifts us up. Water cleanses us. And fire ignites us.

Facilitated and written by Jason Tantra of Tantra4GayMen.com, this collection is inspired by the animal kingdom. Dirty Filthy Animals is a playful but sexy exploration of our naughty side, and adds new dimensions to express our sexuality. It's not meant to be taken literally, but instead as a roadmap for personal exploration, discovery and a bit of humor.

There is a house of curiosities just out of town that everyone speaks about but no one dares enter. It is rumored that sexual acts that push and defy limits take place here, and though anyone may enter, it is only a select few, who are chosen by the Keepers of the house to stay or be invited back. In the process each recruit finds their true self. What will you discover? Video concepts by Court Vox.

This series, written by coach Matthew Shur, is about the tension between performance and authenticity. We explore how we can play around with, tow the line between, and subvert the dynamics altogether of performance and pleasure in front of the camera.

For this shoot, sex coach Finn Deerhart selected the theme of "Seventh Circle" in reference to Dante's Inferno. This shoot is an exploration of dark power as a motivator in the gay psyche. We examine sex that is tinted with desires to sadistically consume, control, manipulate and torture. The theme invokes a question: Does owning our darkness make it possible to ascend? Does looking into the darkness of our hearts allow triumph over the evils of denial?